Moneyball is Brad Pitt's new film about the Oakland A's 2002 season. Pitt plays Billy Beane, the A's general manager, who is forced by budget constraints to take a controversial, statistics-based approach to field his team. The movie is based on the book by Michael Lewis, who also wrote The Blindside.
The event, held at the Paramount Theatre, benefited Children's Hospital Oakland. Once we got inside, we positioned ourselves adjacent to the front door and greeted Phillip Seymour Hoffman, who I've loved since The Talented Mr. Ripley, and many of the current players, including David DeJesus. Hometown hero Sully was there as were some suburban mommies. The theatre lobby was packed, not surprisingly, and admission bought as many designer cocktails as one could consume during the hour before the movie.
I was wearing a skirt, heels and a lot more eye makeup than I usually wear, courtesy of Paris' heavy hand. She wore heels and white jeans. The A's Wives were channeling The Housewives of New Jersey. The majority of men wore jacket and tie, and were accompanied by women in black cocktail dresses with Louboutins or Tabitha Simmons.
It had been many years since I'd been to the Paramount Theatre. In fact, Paris and I were last there to see The Wiggles. The 1930s building remains a stunning piece of Art Deco architecture and is on the National Register of Historic Places. Even Paris commented on the grandeur of the bathrooms.
Fortunately, Dave and Paris did not end up on the cutting room floor. The scene they shot as extras made the big screen version. This is Dave's second movie and her first.
The premiere boiled down to this: the director introduced and thanked the contributors, some of whom he brought up on stage. Enter Brad Pitt to deafening (and well-deserved) applause. Then they rolled the film. We watched it and then we left.
It's a good movie. I like baseball and I like the A's. And I feel a smidge romantic about baseball after seeing this film, the same way you do after your team wins the series.